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Down to earth, real answers on how to manage technology—from renowned IT leaders

Filled with over thirty contributions from practitioners who handle both the day-to-day and longer term challenges that Information Technology (IT) departments and their parent businesses face, this hands-on, practical IT desk reference is written in lay terms for business people and IT personnel alike. Without jargon and lofty theories, this resource will help you assist your organization in addressing project risks in a global and interconnected world.

• Provides guidance on how business people and IT can work together to maximize business value
• Insights from more than thirty leading IT experts
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Offering solutions for many of the problems CIOs face, this unique book addresses the Chief Information Officer's role in managing and running IT as a business, so the IT department may become a full strategic partner in the organization's crucial decisions.

• Sales Rank: #1041200 in eBooks
• Published on: 2011-08-15
• Released on: 2011-08-15
• Format: Kindle eBook

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Four Stars
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By durrell wright
this book is very informative and helpful. Even when I finish my class, I can still see myself reading this book and learning more about the role and task that CIOs perform.

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Exploring the Worship Spectrum: Six Views by Paul Basden [Zondervan, 2004] (P...

• Binding: Paperback

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A truly interdisciplinary approach to the study of health, Health Psychology: An Interdisciplinary Approach uses the social ecological perspective to explore the impact of five systems on individual health outcomes: individual, culture/family, social/physical environment, health systems and health policy. In order to provide readers with an understanding of how health affects the individual on a mental and emotional level, the author has taken an interdisciplinary approach, considering the roles of anthropology, biology, economics, environmental studies, medicine, public health, and sociology.

• Sales Rank: #178974 in Books
• Published on: 2013-12-27
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .90" w x 7.40" l, .0 pounds
• Binding: Hardcover
• 512 pages

About the Author
Deborah Fish Ragin is a Professor of Psychology at Montclair State University. She is a graduate of Vassar College where she earned an A.B. in Psychology and Hispanic Studies in 1978. She continued her studies of psychology at Harvard University where she earned her M.A. in 1984 and her Ph.D. in 1985. Dr. Ragin served on the faculty of Hunter College at the City University of New York, and on the faculty of the Mount Sinai School of Medicine’s Department of Emergency Medicine (New York City) where she also holds a position as Adjunct Associate Professor.

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Ava fell in love the night the Nazis first showed their true nature to the world. A retelling of the Grimms' Beauty and the Beast, set in Nazi Germany.

It's August 1939 in Germany, and Ava's world is in turmoil. To save her father, she must marry a young Nazi officer, Leo von L�wenstein, who works for Hitler's spy chief in Berlin. However, she hates and fears the brutal Nazi regime and finds herself compelled to stand against it.

Ava joins an underground resistance movement that seeks to help victims survive the horrors of the German war machine. But she must live a double life, hiding her true feelings from her husband even as she falls in love with him. Gradually she comes to realise that Leo is part of a dangerous conspiracy to assassinate Hitler.

As Berlin is bombed into ruins, the Gestapo ruthlessly hunt down all resistance, and Ava finds herself living hand to mouth in the rubble of the shell-shocked city. Both her life and Leo's hang in the balance.

Filled with danger, intrigue and romance, The Beast's Garden, a retelling of the Grimm brothers' Beauty and The Beast, is a beautiful, compelling love story set in a time when the world seemed on the brink of collapse.

• Sales Rank: #12855 in Audible
• Published on: 2015-08-02
• Released on: 2015-08-02
• Format: Unabridged
• Original language: English
• Running time: 982 minutes

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2 of 2 people found the following review helpful.
Excellent writing and research. Well worth a read.
By Tracy Joyce
This was the first Kate Forsyth novel that I’ve read (I should probably hang my head in shame at that) and I had high hopes for The Beast’s Garden. Perhaps it was going into the novel with such high hopes that ultimately lead to my disappointment with it. While there was much I enjoyed, I wasn’t completely engaged by it.

I’m someone who loves fairy tale re-tellings – so why didn’t I fall head over heels for this?

The relationship development between the Leo and Ava is limited. They almost fall in love instantly – not quiet but almost. Ava is young, just finishing school, when she meets Leo. She is courageous and innocent. However, there were odd little phrases used to describe her feelings for him that jarred with me as being too puerile. They marry out of necessity, though the mutual attraction is there. Once they were married, it seemed the relationship development within the novel took a back seat to the rest of the story.

I sometimes felt the novel was trying to do too much in one book and perhaps this is why the relationship aspect of the story became secondary to the other plot arcs. However, those arcs are great and the secondary characters are wonderful - I loved them. Not all Forsyth’s Germans are evil – many do what they can to work against the Nazi regime. Forsyth’s research is excellent and she interweaves heart rending stories covering the variety of atrocities committed by the Nazi’s.

The writing is of course excellent and there is wonderful use of musical imagery in Ava’s POV to describe events around her.

However, it wasn’t until the end of the novel, during Ava’s rescue of Leo, where the writing actually got me turning the pages rapidly - so much so that I didn’t care about the feasibility of the rescue.

Was it a good read – yes? Could it have been more – yes?

3 Stars

3 of 4 people found the following review helpful.
Wildly romantic!
By Mina
Kate Forsyth is not new to the fascinating world of fairytale re-tellings. In Bitter Greens, she unraveled the allegorical threads of a traditional folktale, better known to most of us as 'Rapunzel', she bared it down to its archetypal simplicity, and on that thematic structure she spun her own riveting story. In her latest re-telling, The Beast's Garden, Forsyth reaches a new high : Ava and Leo's tale of courage and love, "even when all hope is gone", is wildly romantic and utterly suspenseful.

The stage scene is a World War II Berlin, at that time when Germany seemed to be in the grip of a collective madness. The fairytale chosen by the author as inspiration for her story is 'Beauty and the Beast', not the most popular version written in 1756 by the French novelist de Beaumont though, but rather the German variant, 'The Singing, Springing Lark', collected by the Brothers Grimm in the second volume of the 'Children's and Household Tales' (1819). The Grimms' rendition of Beauty and The Beast tells the story of a daughter who marries a beast (a lion) in order to save her father, but to that well-known motif the German writers added the search for the lost husband. In The Singing, Springing Lark, in fact, the daughter grows to love her beast but unwittingly betrays him and he is turned into a dove. She follows the trail of blood and white feathers he leaves behind for seven years and when she loses the trail, she seeks help from the moon, the sun, and the four winds. Eventually she will save her husband battling the enchantress who turned him into a beast and the spell will be broken.

In Kate Forsyth's historical novel, a young woman (Ava) marries a Nazi officer (Leo) in order to save her father. Ava hates and fears her new husband, but she gradually comes to realize that he is a good man at heart and part of the Red Orchestra, the German underground resistance movement that aimed to kill Hitler and overthrow the Nazi party.

Leo von Lowenstein and Ava Falkenhorst met in the dark under the winter-bare trees, the night the Nazis first showed their true faces to the world and the Jewish persecution began. The distance between their backgrounds couldn't be bigger.

Ava is the beautiful nineteen year old daughter of a kind natured professor and friend of the Jews; Leo is a high-bread aristocratic officer of the Abwehr, the German military intelligence.

Ava is dark haired and olive skinned, hardly an Aryan specimen; Leo has fair hair and eyes of a blue as pale as the winter frost. Tall and athletic - if it wasn't for the crooked line of his nose, his face would be the very ideal of masculine beauty.

To Leo, Ava is an exotic flower, "the only beautiful, true thing in a world of ugliness and lies". Mistakengly, Ava thinks that Leo is just like any other German officer, a war-mongering hawk with blood on his claws.

Ava, a gifted singer, frequently joins the Hot Club, a secret group of jazz lovers and swing dancers, mainly Jewish and Mischlings. Listening to jazz and swing was banned at the time as if it was some kind of disease. She loves Hollywood movies and Billie Holiday's raspy voice. Her favorite reads are fairytales and her father's philosophical disquisitions.

Of aristocratic descent, Leo's family owns a castle in Bavaria. His life has been mapped out for him since birth. The von Lowensteins live to serve Germany, with faithfulness unto death. Leo cannot choose desire over duty.

Despite the disparity of lineage and upbringing, despite the dangerous clash of their respective affiliations, the chemistry between these two brave souls is palpable and undeniable. No matter how ardently Ava tries to avoid the intensity of his regard, their destinies and the fate of an entire country are intrinsically intertwined. While the world seems to be irreparably entranced by the imperialistic ambitions of a mad man, Leo's love for Ava will cause a monumental shift in his loyalty to the Third Reich and its Fuhrer. Leo is not what she expected and feared: he's actually part of a conspiracy to stop the insane carnage of Jewish and German lives. Ava's realization comes too late. She has unwittingly exposed Leo's role in the conspiracy, and must find some way to rescue him and smuggle him out of the country before he is killed.

The Beast's Garden brims with climactic scenes of spine-tingling suspense and heartwarming romance. The historical references to the ethnic cleansing enforced by the Nazi regime resonate with chilling authenticity and do not spare the crudest descriptions of the labor camps' atrocities: they do serve as a powerful foil of human devastation against Leo and Ava's heartrending love story. A shining addition to the wartime romance genre.

0 of 0 people found the following review helpful.
Heartbreaking and beautiful
By Stephanie Gunn
I’m a longtime fan of Kate Forsyth (I vividly remember stalking the bookstore shelves waiting for each Witches of Eileananbook to be released), and particularly loved her last two books, The Wild Girl and Bitter Greens, and was thus extremely happy to be asked to read and review The Beast’s Garden.

I will admit up front, I went into this book with a small sense of trepidation. I had very high hopes, based on how good The Wild Girl and Bitter Greens were, but I did wonder about the premise of The Beast’s Garden– namely, combining a version of the fairytale Beauty and the Beast (specifically, The Singing, Springing Lark) and Nazi Germany during World War II. It wasn’t that I wasn’t sure that Forsyth could pull off such a story, I wondered if anyone could pull it off.

And now that I’ve read the book, the question: did Forsyth manage to pull it off? The answer is a resounding hell yes.

It should be noted that this book isn’t going to be for every reader. There are scenes set in a concentration camp, and while Forsyth doesn’t linger overlong on any of the atrocities, neither does she shield the reader from the true horrors of of WWII and the Holocaust. If any of this is a trigger for you, this isn’t going to be the book for you. But please, if you haven’t done so, go and read all of Forsyth’s other books. They’re more than worth it.

In the role of “Beauty” we have Ava, a German girl who is training as a singer. In looks, Ava takes after her dead Spanish mother, while her two sisters are blue-eyed and blonde-haired, fitting the Aryan ideal. Ava and her family are not safe beneath Nazi rule. Ava’s own darker colouring puts her at potential risk of being declaimed as having Romani blood, and one of her sisters has a daughter who is possibly learning disabled. More, Ava’s family are close to a Jewish family, the Feidlers. After Ava’s mother died, Ava was practically raised by Mrs Feidler, and regards Rudi Feidler (an out gay man) as a brother. Ava and Rudi are both musicians, and both attend illicit jazz clubs together. To protect all of her blood and found family, Ava marries a Nazi officer, Leo von Lowenstein.

Leo, naturally is the “Beast” of the tale, and it is the romance between Leo and Ava which drives much of the novel. At first, Ava fears Leo, only knowing him as a Nazi officer. As she gets to know him, and see beneath the public mask he wears, she discovers that he is a lot more than he first appeared. Like her, he is fighting against Hitler’s rule, and is part of an underground resistance movement.

The story follows Leo and Ava as they both navigate Nazi Germany and the various plots to disrupt Nazi rule and attempt to assassinate Hitler. We also get to follow Rudi after he is arrested for “subversive activities” and deported to the concentration camp, Buchenwald. Yet another story thread is shown via Rudi’s sister Jutta, who evades arrest and lives in hiding from the Nazis.

On the surface, it is hard to see much hope in any story set in WWII Germany. Forsyth doesn’t shy from any of the horrors: we get to see the Jewish people suffering both in the camps and in hiding, as well as the German people starving as their country begins to bend and break beneath the weight of Nazi rule and the war. But in the darkness, there is light. Even while deathly afraid, Ava finds ways to fight. And in Buchenwald, Rudi plays illicit music, saves others where he can (and is saved in turn) and even finds love.

Forsyth skilfully weaves in many historical figures and events into the narrative, giving a real weight to a book that, in less talented hands, could easily have become little more than a fluffy romance between the Brave German Girl and Nazi With a Heart of Gold, or something extremely problematic. If you’re worried about either of these issues, let me put your worries to rest right here.

With The Beast’s Garden, Forsyth cements herself as one of the most talented authors writing historical fiction (with a good dash of fairytale retelling) in Australia today.

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Inspired by female psychology and gender issues, this howto book casts a refreshingly honest and empowering womencentric light on every stage of the screenwriting process.

• Sales Rank: #796144 in Books
• Brand: Brand: Michael Wiese Productions
• Published on: 2010-09-01
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .56" w x 6.06" l, .83 pounds
• Binding: Paperback
• 225 pages

Features

• ISBN13: 9781932907797
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Linda Seger runs a leading film script consultancy, and is author of ten books. She is an international authority on screenwriting. She has a number of earned degrees and a doctorate in Drama and Theology. A practicing Quaker, she lives in Colorado Springs.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Great Insights into Women
By Kim Hudson
Helen Jacey has looked at the way women are represented in film and offers so many insights. When you choose to make the lead character in your story a woman there is a reason, even if it is instinctive. The Women in the Story encourages the writer to explore that choice and looks at the power a female lead brings to the story and how to maximize the impact on the screen. I can't think of another book that has recognized that there is an interesting and unique perspective that is introduced when the lead is a Heroine.

I think a lot of writing is taking your instinct for a story from your unconscious to your conscious where you can manipulate it. Jacey presents ideas that inspire understanding of the female heroine which allow the writer to take some risks and explore the Heroine's essential nature.

I really like the movie examples Jacey has chosen. Some I was not aware of but the explanations are so vivid I can understand her point and they sound so good I have them noted for my next trip to the video store! She also talks about movies that didn't work. I found it really helpful to notice why a character felt flat. Not knowing the things Jacey reveals in her book has far too often left female characters unlikeable or unmemorable next to male counterparts that sparkle on the screen.

7 of 7 people found the following review helpful.
Conscious Writing
By Jennifer Grisanti
"The Woman In The Story" gives an in depth approach to what goes on in the minds and hearts of female characters. It is thought-provoking, very well written and informative. I especially love Jacey's exploration of the internal wound, the internal gift, the external wound and the external gift. This book will help every level of writer learn to write from a place of greater consciousness and will, in turn, connect the audience to their stories.

Jen Grisanti, Story/Script Consultant, Author
Story Consultant at [...], Writing Instructor for NBC's Writers on the Verge, author of upcoming book, "Story Line: Finding Gold In Your Life Story."

5 of 5 people found the following review helpful.
Breaking the Molds for Unforgettable Heroines
By Ann Baldwin
In The Woman in the Story, Helen Jacey gives you a rare look into what makes a compelling, unique, and unforgettable heroine in films, the secret formula for building her foundation, and all the questions you need to ask to bring her to life on the page.

Helen reveals the various roles that women choose in life (and sometimes that have been chosen for them, as history has demonstrated with the many cultures of the world). Often is the case, women will choose more than one role through-out their life. These role choices give women more depth, character, and distinction, compared to the typical stereotypes and archetypes, which are culturally created and have been the basis from which so many female characters in films have been conceived and portrayed.

She examines the primal, masculine-oriented, conflict/stakes driven stories along with the harmony, balance, and connection-oriented, union driven stories. Helen incorporates over 190 films and T.V. shows as examples to include characters like Scarlett O'Hara in Gone with the Wind, Clarice Starling in Silence of the Lambs, Dian Fossey in Gorillas in the Mist, Andrea and Miranda in The Devil Wears Prada, Carrie Bradshaw in Sex in the City and more.

Real-life heroines, through-out history, have been breaking the molds for women around the world; it's our responsibility to not only tell their stories, but those of the present and future heroines as well. One of the most challenging things a writer must do is to not only observe others and the relationships in their own lives, but they must take a deep look within themselves (all the good, bad, and ugly parts). Every human being has faults, weaknesses, insecurities, an evil twin, made mistakes, buried wounds, and scars, along with good qualities and experiences too. Understanding human nature is the key to being able to write about it accurately and it must start from within.

I highly recommend The Woman in the Story for all writers who want to create more realistic, diverse, and memorable heroines in their stories; and, it's not just about making your female characters unforgettable, but you as a writer as well.
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• Binding: Hardcover

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• Published on: 1996-01-01
• Binding: Paperback

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Transmission Image: Visual Translation and Cultural Agency offers a challenging survey of the burgeoning debate about visual culture in a global perspective. Bringing together scholarly perspectives on places ranging from China and India to Nigeria, and from the Philippines and Syria to Germany, this volume proposes a truly global outlook on the study of visual culture in both a contemporary and an historical perspective. Addressing key theoretical issues, the contributors cover a wide range of art forms and visual media, highlighting the complex cultural codification of images and its impact on the study of visual culture and globalization.

• Sales Rank: #3159021 in Books
• Published on: 2008-01-11
• Format: Unabridged
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 5.75" w x 1.00" l, 1.10 pounds
• Binding: Hardcover
• 280 pages

Review
"In the enormous literature on worldwide practices of art, it can often seem that the greatest challenges are in describing the distances between visual cultures. But there is also a large distance between Anglo-American and German-language scholarship. The English-language project of postcolonial studies is not as developed in German, and conversely the careful, technical discussion of image reception is not as often found in Anglo-American writing. This book is a very welcome bridge, combining attention to the precise construction of images with discussion of identity, gender, and ethnicity." - Prof. James Elkins, Department of Art History, Theory, and Criticism Department of Visual and Critical Studies School of the Art Institute of Chicago, USA

About the Author
Birgit Mersmann is professor of Non-Western and European Art at the Jacobs University Bremen, and Alexandra Schneider lecturer at the Film Studies Department of Free University Berlin. Alexandra Schneider is Lecturer at the Film Studies Department of the Freie Universität in Berlin, Germany. She has published a book on home movies (Die Stars sind wir. Marburg: Schüren, 2004) and co-edited several books, including: Flugbilder�Kinobilder vom Fliegen. Muenster: Lit Verlag (2008, forthcoming) and Import�Export. India. Germany. Austria. Berlin: Parthas (2005). Her work has been published in Visual Anthropology, Film History and Montage/av. CONTRIBUTORS INCLUDE: Nancy Adajania, Heike Behrend, Hans Belting, Peter J. Bräunlein, Markus Buschhaus, Iris Därmann, Martin Gieselmann, Simone Grie�mayer, Anne von der Heiden, Asko Lehmuskallio, Birgit Mersmann, and Beat Wyss.

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First Published in 1979. Routledge is an imprint of Taylor & Francis, an informa company.

• Sales Rank: #6298241 in Books
• Brand: Brand: Routledge
• Published on: 1979-04-19
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .73" w x 5.43" l, 1.14 pounds
• Binding: Hardcover
• 305 pages

Features

• Used Book in Good Condition

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0 of 0 people found the following review helpful.
excellent
By tck
bona fide Nigerian historian. Focuses more on western Nigeria, but author is objective and analytical in presentation. Enjoying immensely even though my primary interest is more southeastern Nigeria. He has alerted me to some issues that I did not previously see.

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Think you know all you can possibly know about Naruto? Think again! The Official Fanbook takes you deeper than ever before into the world of the most determined ninja as he pushes ever closer to his ultimate destiny! Maps, character profiles, previously hidden revelations and more give you all the inside secrets about Masashi Kishimoto's incredible saga. Includes the original 44-page Naruto manga!

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• Sales Rank: #406175 in Books
• Brand: Kishimoto, Masashi
• Published on: 2008-02-05
• Released on: 2008-02-05
• Original language: English
• Number of items: 1
• Dimensions: 8.13" h x .60" w x 5.19" l, .84 pounds
• Binding: Paperback
• 288 pages

About the Author




Author/artist Masashi Kishimoto was born in 1974 in rural Okayama Prefecture, Japan.� After spending time in art college, he won the Hop Step Award for new manga artists with his manga Karakuri (Mechanism). Kishimoto decided to base his next story on traditional Japanese culture.� His first version of Naruto, drawn in 1997, was a one-shot story about fox spirits; his final version, which debuted in Weekly Shonen Jump in 1999, quickly became the most popular ninja manga in Japan.

Most helpful customer reviews

18 of 18 people found the following review helpful.
Great!
By BarbieMom
I got this book for my daughter and she loved it! She read it over and over again. I read this after her, (I normally read what she reads) , and I, who knew almost nothing about Naruto, found this very inturiging. There are some characters my age, so I think anyone would like this book and the whole Naruto series!!

11 of 11 people found the following review helpful.
Maybe my expectations were too high
By Blitz Patel
Naruto is one of the best animes out there. Some people think it's not a "true" anime; well, whatever you want to call it, it's one of the greatest and most creative shows out there. Now for the book. I thought this would have a lot of background info on the characters that they didn't say in the show; it doesn't. But it's still a great gift for anyone who likes the series. It has a lot of the stuff from the show that was either skimmed over or was so long ago most people can't remember. It also has puzzles, games, and other goofy Japanese goodness (***this book is NOT WRITTEN IN JAPANESE). Overall it's definitely a fun read.

8 of 9 people found the following review helpful.
Lots of Info
By Karinakamichi
This shows a lot of info about Naruto, and it reads backwards like normal manga. It has fan drawings, a conversation with Masashi Kishimoto about what inspired him to create Naruto. It also has the character profiles of Naruto, Sasuke, Sakura, Kakashi, and I think Iruka. It shows guesses on the nine rookies class grades, and many other things. I definitely recommend this product.

See all 13 customer reviews...

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