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From the ever-curious mind that brought you the best-selling Do You Think You're Clever? comes a brand-new trip to the far reaches of the intellectual universe, courtesy of even more notoriously provocative Oxford and Cambridge University interview questions.

How would you poison someone without the police finding out (Medicine, Cambridge)? What makes a strong woman (Theology, Oxford)? Instead of politicians, why don't we let the managers of IKEA run the country? (Social and Political Sciences, Cambridge)? How do you organize a successful revolution (History, Oxford)?

Whether you're interested in going to Oxford or Cambridge or just want to give your brain a workout, join polymath John Farndon on another exhilarating journey through the twists and turns of thought, and explore just what it means to be genuinely clever—rather than just smart.

• Sales Rank: #2311274 in Books
• Published on: 2016-05-10
• Released on: 2016-05-10
• Original language: English
• Number of items: 1
• Dimensions: 8.43" h x .51" w x 5.85" l, .0 pounds
• Binding: Paperback
• 288 pages

Review
'The book itself is an enormous contribution to knowledge and so interspersed with compelling narratives [...] that it should shoot to the top of any Oxonian Christmas Book List.' -- Richard Lofthouse Oxford Today '[This makes it] a great gift book [...] and it will certainly be one I'll be giving to a few people.' -- Brian Clegg Now Appearing blog

About the Author
John Farndon is the author of numerous bestsellers on science, ideas and the natural environment, as well as being a playwright, composer and poet.

He has been shortlisted a record five times for the Royal Society Junior Science Book Prize. Do You Think You’re Clever? was shortlisted for the Society of Authors Education Award. Canada’s Globe and Mail named his Atlas of Oceans as a 2011 top ten science book. He is currently writing The Omnipaedia for Square Peg.

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[V678.Ebook] Download Lost Technologies of Ancient Egypt: Advanced Engineering in the Temples of the Pharaohs, by Christopher Dunn

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A unique study of the engineering and tools used to create Egyptian monuments

• Presents a stone-by-stone analysis of key Egyptian monuments, including the statues of Ramses II and the tunnels of the Serapeum

• Reveals that highly refined tools and mega-machines were used in ancient Egypt

From the pyramids in the north to the temples in the south, ancient artisans left their marks all over Egypt, unique marks that reveal craftsmanship we would be hard pressed to duplicate today. Drawing together the results of more than 30 years of research and nine field study journeys to Egypt, Christopher Dunn presents a stunning stone-by-stone analysis of key Egyptian monuments, including the statue of Ramses II at Luxor and the fallen crowns that lay at its feet. His modern-day engineering expertise provides a unique view into the sophisticated technology used to create these famous monuments in prehistoric times.

Using modern digital photography, computer-aided design software, and metrology instruments, Dunn exposes the extreme precision of these monuments and the type of advanced manufacturing expertise necessary to produce them. His computer analysis of the statues of Ramses II reveals that the left and right sides of the faces are precise mirror images of each other, and his examination of the mysterious underground tunnels of the Serapeum illuminates the finest examples of precision engineering on the planet. Providing never-before-seen evidence in the form of more than 280 photographs, Dunn’s research shows that while absent from the archaeological record, highly refined tools, techniques, and even mega-machines must have been used in ancient Egypt.

• Sales Rank: #84280 in Books
• Published on: 2010-06-24
• Released on: 2010-06-24
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.41 pounds
• Binding: Paperback
• 400 pages

Review
"Whether you can fully grasp the intricacies of what he says, he makes it very easy to look at ancient monuments with new eyes, and a greater appreciation for the effort involved in creating them." (Michael Gleason, Reviewer, August 2010)

“. . . Chris Dunn, with over 20 years of investigation, possessing unique technical skills, and showing a keen, perceptive eye for detail, has unlocked the door to knowledge that will eventually overturn established thinking about the civilization we call ‘Ancient Egypt’.” (Alan Glassman, New Dawn Magazine, January 2011)

"I never cease to be astonished by Christopher Dunn's knowledge of ancient Egyptian technology. I believe he knows more of it than any man alive." (Colin Wilson, author of Atlantis and the Kingdom of the Neanderthals, June 2010)

“This is an extremely important and original book. Christopher Dunn indisputably demonstrates that the ancient Egyptians were much more technologically advanced than the vast majority of modern Egyptologists, archaeologists, and historians ever dared imagine.” (Robert M. Schoch, Ph.D., author of Voyages of the Pyramid Builders and Pyramid Quest)

“Christopher Dunn makes a stunningly convincing case that the makers of the ancient Egyptian stone monuments and images possessed sophisticated technologies rivaling our own in terms of their precision and capabilities.” (Michael A. Cremo, author of Forbidden Archeology and Human Devolution)

“Christopher Dunn is an expert in his field. He knows a great deal about stone-cutting tools and has spent many years studying the ancient Egyptian monuments, sculptures, and artifacts. His findings are revolutionary. His word carries weight. If he is right, our perception of who the ancient Egyptians were may completely change. Read this book!” (Robert Bauval, author of The Orion Mystery, Message of the Sphinx and The Egypt Code)

“Christopher Dunn’s painstaking work, literally, makes the ‘stones’ of the Egyptian gods speak. He provides profound archaeological evidence that shows an engineering consistency, suggesting an advanced intelligence, which understood the supreme science of sacred geometry. A must-read book for those who wish to understand the advancement of Egyptology in the world of today.” (J. J. Hurtak, Ph.D., author of The Book of Knowledge: the Keys of Enoch)

“Utilizing almost 50 years of professional experience in engineering, manufacturing, tool-making, and space-age precision, Chris Dunn has provided an in-depth analysis of ancient Egyptian statuary, temples, and manufactured artifacts that has never been presented previously. This outstanding book, supremely well researched, amply illustrated, and complete with detailed photographs, will be cited as a major paradigm shift and reference source in the field for many years to come.” (Stephen S. Mehler, M.A., director of research, Great Pyramid of Giza Research Association)

“Admirers of Egyptian art and architecture are most fortunate that Christopher Dunn directs his experienced engineer’s eye toward the Egyptians’ ancient stonework. By noticing the most minute details he reveals sophisticated craftsmanship and immense significance for all areas of Egyptology. Mathematicians will appreciate the amazing three-dimensional geometry made manifest in very hard stone. Dunn points the way for geometers to uncover sharper, more accurate analyses of the proportions of Egyptian design. This book is an important contribution to scientific scholarship by showing how archaeology can firmly rest on a measurable foundation.” (Michael S. Schneider, author of A Beginner’s Guide to Constructing the Universe)

“In this book, Christopher Dunn has brought to the field of Egyptology a new approach, which has been needed for decades. His ability as an engineer and master craftsman has given him the insight to discover ancient technologies and techniques that have been missed by traditional Egyptologists. This book is a paradigm change for the way of thinking about our ancient history and ancestors. I highly recommend this beautiful illustrated book to both academic and alternative researchers and for anyone interested in new ways of thinking about our ancient past.” (John DeSalvo, Ph.D., author of The Lost Art of Enochian Magic and director of the Great Pyramid of G)

“As with Newton and the apple, Chris Dunn got a vision when visiting Egypt. His engineering background allowed him to unleash incredible facts, and thanks to this highly detailed book, we can now share the same marvels.” (Alain Hubrecht, architect, writer, professor, and founder of the Association Transpersonnelle Belge)

“If you want to see the precise high technologies ancient Egyptians really had, read this book. It is a serious donation to Egyptian legacy and an opus for the future of this planet.” (Antoine Gigal, author, researcher, and president of Giza for Humanity)

“I believe, as Chris Dunn superbly details in this book, that ancient Egyptian sculptors and architects were so precise and their works so monumental that they must have used sophisticated technology, probably hidden in their time and now lost to ours.” (Mike Leckie, stone sculptor)

From the Back Cover
ANCIENT CIVILIZATIONS /� EGYPT

“This is an extremely important and original book. Christopher Dunn indisputably demonstrates that the ancient Egyptians were much more technologically advanced than the vast majority of modern Egyptologists, archaeologists, and historians ever dared imagine.”
--Robert M. Schoch, Ph.D., author of Voyages of the Pyramid Builders and Pyramid Quest

“Christopher Dunn makes a stunningly convincing case that the makers of the ancient Egyptian stone monuments and images possessed sophisticated technologies rivaling our own in terms of their precision and capabilities.”
--Michael A. Cremo, author of Forbidden Archeology and Human Devolution

From the pyramids in the north to the temples in the south, ancient artisans left their marks all over Egypt, unique marks that reveal craftsmanship we would be hard pressed to duplicate today. Drawing together the results of more than 30 years of research and nine field study journeys to Egypt, Christopher Dunn presents a stunning stone-by-stone analysis of key Egyptian monuments, including the statue of Ramses II at Luxor and the fallen crowns that lay at its feet. His modern-day engineering expertise provides a unique view into the sophisticated technology used to create these famous monuments in prehistoric times.

Using digital photography, computer-aided design software, and metrology instruments, Dunn exposes the extreme precision of these monuments and the type of advanced manufacturing expertise necessary to produce them. His computer analysis of the many statues of Ramses II reveals that the left and right sides of the faces are precise mirror images of each other, and his examination of the mysterious underground tunnels of the Serapeum illuminates the finest examples of precision engineering on the planet. Providing never-before-seen evidence in the form of more than 280 photographs, Dunn’s research shows that while absent from the archaeological record, highly refined tools, techniques, and even megamachines must have been used in ancient Egypt.

CHRISTOPHER DUNN is a manufacturing engineer with 50 years of experience. He has worked primarily in aerospace with an emphasis on precision and laser application. He has published a dozen articles on his theories about ancient technology and is the author of The Giza Power Plant. He lives in Illinois.

About the Author
Christopher Dunn is a manufacturing engineer with 50 years of experience. He has worked primarily in aerospace with an emphasis on precision and laser application. He has published a dozen articles on his theories about ancient technology and is the author of The Giza Power Plant. He lives in Illinois.�

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109 of 110 people found the following review helpful.
A Fascinating Read That Won't Disappoint
By Jay W. Lundgreen
Having read Dunn's first book, The Giza Power Plant, at least a dozen times, I must say that this work represents a big step forward. The previous book by Dunn left me starving for more information about ancient Egypt and their technologocal prowess. This book delivers that in spades. Not only has the level of detail been amplified, but it is clear that the author has become a lot more comfortable with the written word. His voice is clear and confident and each chapter has been edited and polished quite a bit.

For a very casual reader the book may seem a little bit intimidating due to its technical nature, but Dunn does a superb job of finding the balance between too technical and not detailed enough. The end result is a book that is very easy to read and one that presents an extremely compelling bunch of evidence regarding what the ancient Egyptians were actually capable of.

I found myself re-reading several chapters, not because I didn't understand them, but beacause what I had read was so astounding that I needed another read through just to let it sink in. This is a truly remarkable book that is surely to become one of the "standard works" in the field.

3 of 3 people found the following review helpful.
Dunn versus rock & hammer archaeologists.
By Mark Newell Phd
I was thrilled to discover this book on Amazon recently. I am sure that over time most enlightened readers must have certainly come to the realization that (in general) archaeologists are among the most intellectually challenged of the scientific and academic communities. The basic skills of excavation and recording can be learned in a few months—but few archaeologists are properly equipped to interpret what they find.

Most archaeologists are barely able to knock out BA in history and this leads them to the MA and PhD in related subjects (such as a bucket of chert flakes) rather than more challenging fields. Despite this, most traditionally educated archaeologists are inculcated with the idea that a degree of any kind in archaeology actually qualifies them to pontificate on any subject under the sun. This is the culture and level of thinking that Dunn challenges with this excellent book.

I have always had a great interest in Egypt and have long studied de Lubitz and West and others. Here in the US I have specialized in marine archaeology and also 19th century pottery. In both cases it made sense to me to build a few boats and learn to throw a few pots. This gave me some basic knowledge and a foundation to base my interpretations on. I find very few other archaeologists (none that I have heard of or met) will ever bother to do this.

It takes an engineer to interpret the remains of ancient engineering—which is why I was delighted to find this book. While today’s archaeologists will continue to label these ideas as ‘new age’ and on the fringe, I believe the future will show that the author has made a very significant and valuable contribution to a yet to be realized full understanding of the technological sophistication of Egyptian craftsmen and builders.

Dunn has produced a thorough and challenging work—just what I would expect of an engineer! Dunn makes comparisons with modern manufacturing and engineering practices and the works of ancient Egypt. In every case he (as have others) shows that even today's machines and technology cannot produce the astonishing feats of craftsmanship and engineering that is so clearly demonstrated by the remnants of this amazing culture.

20 of 20 people found the following review helpful.
This book gives glory to the geniuses who created the temples in ancient Egypt!
By Steven Myers
Christopher Dunn has created a masterpiece in his quest to understand the extreme precision and high technology used in stone cutting in ancient Egypt. This book is at times highly technical but it needs to be because so is the subject matter. His book gives glory to the ancient but extremely advanced engineers and stonecutters who created the sculpture and temples of the Nile valley.

Reading Dunn's book will change your understanding of our distant past. At the very least after reading his book you will have to understand that the stories told by Egyptologists are wrong. You will understand that the books written by Egyptologists which are in the libraries around the world are filled with errors, unscientific storytelling presented as fact, and disingenuous information. This book will compel you to come to the realization that virtually everything Egyptologists say about how the temples were made and the stones were cut is incorrect.

If you are interested in breaking away from the myths and fables of Egyptology and want to replace those falsehoods with a truer understanding of the high technology possessed by people in ancient Egypt than you must read this book!

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[K586.Ebook] PDF Download The Dow Theory, by Robert Rhea

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Published by Barron's, this is an explanation of Dow Theory development and an attempt to define its usefulness as an aid to speculation. Rhea carefully studied 252 editorials of Charles H. Dow and William Peter Hamilton in order to present Dow Theory in terms that would be useful for the individual investor.

• Sales Rank: #905141 in Books
• Published on: 2013-11-19
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .56" w x 5.98" l, .80 pounds
• Binding: Paperback
• 268 pages

About the Author
Robert A. Rhea combines twelve years in the engineering and construction industry with more than ten years of teaching experience. He is co-author of Delmar's USING INTEGRAPH MICROSTATION.

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0 of 0 people found the following review helpful.
Classic, timeless, valuable to creating a clear trading mind
By Robert Kirk
This book has one main purpose, teaches you to look at the trend of the market and don't fight it. This book brings clarity and a process to determine the overall trend of the market. It's amazing, a book this old is relatively as valuable as it was when it was originally published. In summary, a great value and it should be a foundation to any trader's library.

0 of 0 people found the following review helpful.
It's good if you want to dig in to the original ...
By Sergio Daniel Rocha Presno
It's good if you want to dig in to the original thinking in Dow's Technique. Half of the book is the reference of W. Hamilton.

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In the early 1990s, members of the Origami Tanteidan Convention in Japan began a unique competition devoted to insects and other arthropods as, over a period of years, artists attempted to one-up each other, successively adding legs, antennae, wings, and more. Each year, the models became increasingly complex, as origami enthusiasts from around the world joined the fray. Beetles became winged beetles. Winged beetles became winged spotted beetles, and so on. Models went from 30 or 40 steps to hundreds of steps. As a result, origami artists developed a range of design techniques that ultimately changed the entire art of origami folding. Bugs continue today to be a favorite subject for origami artists, and this book both describes the original challenges that stretched the art and also includes 12 original contemporary bugs (including one master-level project) designed by some of the most talented origami artists today from around the world - with detailed step-by-step instructions to make them.

• Sales Rank: #665884 in Books
• Brand: Brand: Race Point Publishing
• Published on: 2013-09-15
• Original language: English
• Number of items: 1
• Dimensions: 10.38" h x 1.00" w x 8.50" l, 1.98 pounds
• Binding: Hardcover
• 192 pages

Features

• Used Book in Good Condition

About the Author

The models in this book are designed by some of the world's most talented origami artists from around the world, including four members of the Board of Directors of OrigamiUSA:Robert Lang Shuki Kato Jason Ku Sebastian Arellano Won Park Marc Kirschenbaum Dan Robinson With diagrams by Marcio Noguchi

The models in this book are designed by some of the world's most talented origami artists from around the world, including four members of the Board of Directors of OrigamiUSA:Robert LangShuki KatoJason KuSebastian ArellanoWon ParkMarc KirschenbaumDan RobinsonWith diagrams by Marcio Noguchi

Shuki Kato is an Origami artist based in Montana. In 2000, he became a member of OrigamiUSA and in college he lectured in small classes about origami design and taught simple origami models and folding techniques. He is the author of Origami Masters: Bugs, How the Bug Wars Changed the Art of Origami.

The models in this book are designed by some of the world's most talented origami artists from around the world, including four members of the Board of Directors of OrigamiUSA:Robert LangShuki KatoJason KuSebastian ArellanoWon ParkMarc KirschenbaumDan RobinsonWith diagrams by Marcio NoguchiThe models in this book are designed by some of the world's most talented origami artists from around the world, including four members of the Board of Directors of OrigamiUSA:Robert LangShuki KatoJason KuSebastian ArellanoWon ParkMarc KirschenbaumDan RobinsonWith diagrams by Marcio NoguchiThe models in this book are designed by some of the world's most talented origami artists from around the world, including four members of the Board of Directors of OrigamiUSA:Robert LangShuki KatoJason KuSebastian ArellanoWon ParkMarc KirschenbaumDan RobinsonWith diagrams by Marcio NoguchiThe models in this book are designed by some of the world's most talented origami artists from around the world, including four members of the Board of Directors of OrigamiUSA:Robert LangShuki KatoJason KuSebastian ArellanoWon ParkMarc KirschenbaumDan RobinsonWith diagrams by Marcio NoguchiThe models in this book are designed by some of the world's most talented origami artists from around the world, including four members of the Board of Directors of OrigamiUSA:Robert LangShuki KatoJason KuSebastian ArellanoWon ParkMarc KirschenbaumDan RobinsonWith diagrams by Marcio Noguchi

Most helpful customer reviews

54 of 54 people found the following review helpful.
Origami Masters: Bugs Additional Info
By Shuki Kato
Okay, this is weird, I'm reviewing a book which has a few of my own contributions within, is that allowed? Mainly I wanted to disclose a bit more of the contents within the book than was mentioned in Amazon's description. This book has a very brief overview of the history of modern origami (all of 5 pages), a couple pages of symbols and terms and then goes straight into the 12 insect projects. After that there's a short section of full-page crease patterns for just 5 of the models (the ones by Ku, myself, and Lang). There are a couple of intermediate/high intermediate models, but the vast majority are complex and above, so the book is not suitable for beginners. Finally, the diagrams are colored to mostly match the folded subjects and there are multiple color photos of each model.

Here's a list of the models and their assigned step count:

- Won Park
1. Flapping $ Butterfly - 29 steps
2. $ Dragonfly - 29 steps

- Sebastian Arellano
3. Bed Bug - 49 steps
4. Praying Mantis - 85 steps

- Marc Kirshenbaum
5. Mosquito - 65 steps (also diagrammed in Kirschenbaum's "Origami Bugs")
6. Ladybug - 125 steps (also diagrammed in "Origami Bugs")

- Dan Robinson
7. Leaf Insect - 91 steps

- Jason Ku
8. Rhinoceros Beetle - 137 steps
9. Luna Moth - 201 steps

- Shuki Kato
10. Titan Beetle - 144 steps
11. Flying Hercules Beetle- 181 steps

- Robert Lang
12. Yellow Jacket - 75 steps (condensed folding sequence of a very complex model)

5 of 5 people found the following review helpful.
A serious challenge!
By R. Sherwood
This is the Origami book to get for somebody who is very good at the art already, or somebody who is very smug and overconfident in their skills, and you want to really challenge them. It does cover the history of origami, and the "bug wars," but only briefly, and therefore is much more of a teaching origami book than a history piece or reading book on the topic.

By and large, I found that these directions were very clear, well illustrated, and allowed me to complete models far more difficult than I ever thought I could when I was simply skimming the book before attempting. Even the easiest models in this Origami Masters book were equal to the hardest ones I had ever done before. However, I personally had trouble with certain steps in certain models. I always find steps that say “collapse the model difficult to do, and therefore could not finish the praying mantis. I couldn't do the lady bug after I was told to “repeat steps on the other side,” because somehow I just can't mentally make that jump sometimes. I never know what the directions mean when I am told to “stretch” some part of a model, and therefore couldn't do the rhino beetle.

I will admit I am somewhere between a beginner and intermediate folder, and I have never seen more difficult origami, or models with more steps than these. The shortest amount of time I spent on any of these was 30 min, the longest was over 3 hours. The models that I completed were beautiful, except for my mosquito, which I thought looked like a Lovecraft horror because I didn't follow the leg folding directions properly, and because it was designed to have a much shorter proboscis than a real mosquito has. None of the last four were doable for me. They all looked amazing, of course. It took me 40 min to get to step 21 in one of the last four models, where I made a fatal mistake, and feared to continue on to steps the creator called “not for the faint of heart.” Several of these models in the second half of the book included a note from the creators that these took anywhere from 5-7 hours. For me, I could only imagine how long it would have taken, had I been able to do them.

7 of 7 people found the following review helpful.
Not For The Beginner
By Matt Harnick
I've been doing origami for more than 40 years and spent part of that time as Co-Editor for the Origami USA Publications Committee evaluating models and accompanying diagrams for the annual convention book. I have also met most of the creators represented in this book and can honestly say that they are some of the most prolific and accomplished creators in the art.
The Bug Wars is remembered as an instigator of discovery of new techniques and gave rise to a whole new generation of ingenius folders and their designs. It was the birth of ultra-complex folding. In the United States, it was really two artists who started the trend of making models which were anatomically correct: Dr. Robert Lang and John Montroll. Montroll made the first breakthrough with his innovative Insect Base. This took things only so far. Dr. Lang improved on this and his results can be seen in his first collection of invertebrates "Origami Insects And Their Kin" which included a pill-bug and a ladybug with spots. until this book, the best insect designs in my opinion were to be found in the collections "Origami Insects I and II" which are only available as Japanese imports. It kept going from there and today there are hundreds of designs for insects which are incredibly realistic.
This book is the latest offering of lifelike origami insects. What must be understood is that most of these models are not just complex but fall under the heading of ultra-complex. Not only to they entail some extremely tough techniques, but they must be attempted from very large, extremely thing and strong paper (which can be obtained from Paper Circle's O-gami Store but is expensive at $15 per sheet and you must be prepared to cut it into squares yourself). Commercially available origami paper, such as Kami, is usually too thick, does not hold creases well enough and is probably too small to use (10 inches is the minimum and even this is small when working with designs like these). This should not stop the avid origamian (an old term for an origami artist which seems to be out of use) from at least practicing the early steps to familiarize him or herself with the techniques. These are not run-of-the-mill models and though they may have some classic folds, many are relatively new and will only be familiar to the intermediate or advanced folder.
One thing to note is that age is not a factor really in choosing this book. As long as a child shows patience and the manual dexterity to perform intricate folds (and believe me I've seen six-year-olds who could fold Dr. Lang's earlier insects very well) this book should be considered as a challenging addition to their pursuit. For some people, this kind of challenge is a lot of fun.
One word of caution. Very few people can fold Dr. Langs more recent designs anywhere near as neatly as he does. The reason for this is that he has access to and makes full use of an industrial laser to pre-score the crease-pattern into the paper - look closely and you can see the perforations on the example photographed for the book. This is not cheating especially since there is no real cutting involved. After all, he not only invented the origami designs, he invented the laser too!
The diagrams are very well done. It's always hard to show a 3-dimensional proceedure in a 2-dimensional medium. And there is no better teacher than experience. Note that there are often How-To videos on YouTube to help with similar models (though I'm not sure that any of these are covered yet).
If you do decide to get this book, good luck and happy folding!

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This graduate-level community nutrition textbook presents community nutrition as a collaboration between the nutritional needs of a society and the practice of the profession. The text provides a conceptual framework for understanding the course of health and disease and matching community nutrition or applied nutrition epidemiology to the model. The second edition has been thoroughly revised with up-to-date information on general population nutrition; dietary guidance; infant, childhood, and adolescent nutrition; men and women’s health; nutrition in chronic disease, and more. New features include a comparison of popular diets, weight management strategies for children and adults, and a community-based program update.

• Sales Rank: #430587 in Books
• Brand: Brand: Jones Bartlett Learning
• Published on: 2007-10-08
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.89" w x 7.99" l, 4.05 pounds
• Binding: Paperback
• 936 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Pink022
Great book. I perfect conditions, Thank you

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Leviticus served as the liturgical handbook of the Levitical Priesthood of the Israelites. From a professor of Religion and the Bible at the University of California at Berkeley comes a comprehensive commentary on Leviticus, now available with a new translation that is sure to set the standard for years to come.

• Sales Rank: #785940 in Books
• Published on: 1991-12-01
• Released on: 1998-12-01
• Original language: English
• Number of items: 1
• Dimensions: 9.46" h x 2.69" w x 6.49" l,
• Binding: Hardcover
• 1184 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By m. casey
He is the godfather of commentary on Leviticus

14 of 14 people found the following review helpful.
Best Single Commentary I Have Ever Studied
By Henry E. Neufeld
I regard this commentary as the best one I have ever used in studying through a Bible book. I chose to read it along with both the Hebrew and Septuagint text of Leviticus. I frequently complain of commentaries that while they are good in one area they are often not so good in others. Of course, if they were good in all areas, then they would be too large.

In this case, Milgrom covers everything from source and redaction criticism, through both Jewish and Christian commentary through the centuries, to detailed original analysis. He doesn't neglect relating the text to theology either. Of course, that leaves the one complaint--that at three volumes, this commentary is too large.

Because of the combined depth and breadth, I found studying Leviticus with this commentary to be an exciting spiritual journey as well as an intellectually stimulating one. Dr. Milgrom covers numerous vexing problems in the text in great detail. He generally explains opposing positions so well that you can start arguing for them. In fact, while you read his summary of the evidence in favor of opposing positions you might even forget that they are not actually HIS positions.

Extensive indexing and references makes the three volume set (this one, Leviticus 17-22 (The Anchor Yale Bible Commentaries), and Leviticus 23-27 (The Anchor Yale Bible Commentaries)) extremely valuable for reference as well as extended study.

One of the key topics in the book is the dating of Pentateuchal sources. While Dr. Milgrom takes a fairly traditional approach to the number and geographical distribution of sources, he tends to date some of them in a non-traditional manner. The arguments for this, such as his work on vocabulary in dating the Priestly (P) and Holiness (H) sources is invaluable if nothing else as a model for how such an issue should be debated.

Obviously, five stars, and an unequivocally positive recommendation.

35 of 36 people found the following review helpful.
A brilliant, profound and absorbing commentary
By A Customer
Jacob Milgrom, a Conservative rabbi and modern Bible scholar, is a, if not the, leading authority on Leviticus. Milgrom's painstakingly thorough commentary on the first sixteen chapters of Leviticus has revolutionized the modern understanding of the rituals and practices described in the book.
Drawing upon classical (and some obscure) Jewish interpreters, modern scholarship, and his own brilliant insights, Milgrom argues that Leviticus' seemingly dry recounting of rituals and practices expresses a profound theology of Israel, a theology based upon life and death, good and evil, with the G*d of Israel supreme. Milgrom argues that Leviticus banishes demons from its theology and posits man's choices as the cause of evil. Analogizing the sacrificial system to "The Portrait of Dorian Grey", Milgrom argues that sin creates impurity on the Tabernacle and the more serious the sin, the more severe the pollution. Pollution unchecked can drive the divine presence from the people's midst. Sacrifice (chiefly the hattat/purification offering) served to remove the impurity but only if the sinner was motivated by asham/guilt.
In addition to explaining the differing types of sacrifices, Milgrom also explains the dietary laws (kashrut) as a reflection of the priestly theology. To twist a phrase, taxonomy recapitulates theology. Milgrom argues that the dietary laws reflected and fostered a profound respect for life, both animal and human.
Milgrom also investigates in detail the purity laws regulating childbirth, menstruation, sex, certain diseases and similar physical causes of impurities. He argues that the laws governing physical impurities reflected the priestly life/death theology but that physical causes of impurity were understood differently than moral causes of impurity. The person affected by physical causes of impurity was in need of ritual purification and sometimes was required to bring sacrifices to purify the Tabernacle of impurities occasioned by severe physical impurities. In contrast, the sinner needed forgiveness and was always required to bring a sacrifice, accompanied by asham/guilt, to purify the Tabernacle of the impurity caused by sin.
Milgrom proceeds verse by verse and each chapter is followed by fascinating essays in which he sets out in a more orderly fashion his interpretation. His work is regularly cited by leading scholars but the work is accessible to non-experts, though it is not an "easy read" by any means. Be prepared to read and reread this work in order to grasp all that Milgrom is saying. Milgrom's interpretation opens up not only Leviticus but virtually every other page of the Bible to new interpretations.
Milgrom includes a huge bibliography and detailed indices. One complaint - the Anchor Bible series does not set out the Hebrew text so be prepared to try to decode the transliteration system employed by Milgrom.
I highly recommend this book to anyone seeking to grapple with the meaning of Leviticus. Christian and Jews, modern scholars and lay persons all can benefit from reading and rereading Milgrom's penetrating analysis.

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Leal (Divergente) (Spanish Edition), by Veronica Roth

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What if your whole world was a lie? What if a single revelation-like a single choice-changed everything? What if love and loyalty made you do things you never expected? The explosive conclusion to Veronica Roth's #1 New York Times best-selling trilogy reveals the secrets of the dystopian world that has captivated millions of readers in Divergent and Insurgent.

• Sales Rank: #505278 in Books
• Published on: 2014-03-28
• Original language: Spanish
• Number of items: 1
• Dimensions: 8.30" h x 1.80" w x 5.50" l,
• Binding: Paperback
• 492 pages

About the Author
Veronica Roth is the #1 New York Times bestselling author of Divergent, Insurgent, Allegiant, and Four: A Divergent Collection. Now a full-time writer, Ms. Roth and her husband live near Chicago.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Sorprendente!
By KC
Magistralmente Veronica Roth lleva la historia a un inesperado final. No acabo de salir de mi asombro... Adem�s, como un extra, da muchos temas para reflexionar. Una trilog�a sumamente recomendable.

1 of 1 people found the following review helpful.
Este libro me ha dejado un sentimiento de enojo, ...
By Maylen Polanco
Este libro me ha dejado un sentimiento de enojo, tristeza, y vac�o.. Yo particularmente cuando leo soy de las personas que esperan siempre finales felices,.... Sin embargo, LEAL me ha dejado un sabor tan amargo no creo que pueda a leer otro libro de esta escritora.

2 of 2 people found the following review helpful.
Francamente la autora debi� para en Divergente. Insurgente y ...
By Maria F. Rmz
Francamente la autora debi� para en Divergente. Insurgente y Leal son dos novelas sin sentido, con personajes accesorios desdibujados, sin una trama clara y con cientos de p�ginas de relleno. Como a muchos lectores, el final me pareci� innecesariamente fatal y sin ninguna lecci�n de por medio. Muchas lagunas en la historia, muchos hilos sueltos. Lo rescatable de Leal es haberle dado voz propia a los dos personajes principales, narrando las situaciones desde cada perspectiva. Me incluyo en la lista de lectores que se quedaron sin ganas de leer m�s de Veronica Roth.

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[B666.Ebook] PDF Ebook finance (2e édition)From PEARSON EDUCATION

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French language 558 page soft cover 1999 second edition.

• Sales Rank: #9449891 in Books
• Format: Import
• Original language: French
• Dimensions: 7.48" h x 1.38" w x 9.45" l,
• Binding: Paperback

Most helpful customer reviews

0 of 0 people found the following review helpful.
This book is like new. Very satisfied with the
By YH
As described. This book is like new. Very satisfied with the purchase

0 of 0 people found the following review helpful.
The best place to start
By J. Rogelio
I think this book is the best place to introduce finance to students. It has plenty insght from accounting to math. It has no rigour but it is okay for the beginners. For those who have had two or more courses on finance could try elsewhere. I highly recomend it for the beginners.

32 of 37 people found the following review helpful.
Readable intro. to standard finance theory
By Professor Joseph L. McCauley
First: this book is certainly not worth [the price] ...I read the 1998 softcover 'preliminary edition' by Bodie and Merton, which I ordered and received from amazon.com in fall, 1999. Samuelson's name was not on the cover and at any rate should not cause the price of the book to increase... The current price makes the book unattractive. Now for my review of the softcover version:
This is a relatively well-written undergraduate-level text that can be read/understood without the need for classroom instruction. It is especially useful for self-study by ordinary people who know nothing at all about finance theory but are motivated to learn. The reader will find all of the main topics covered: cash flows, efficient market hypothesis, capital asset pricing model (CAPM), risk management, hedging, and options pricing at Black-Scholes (B-S) level of discussion. In the spirit of the simple level of the text, the B-S equation is applied but not derived (best derivation is still the second one, and the Black's original method starting from the CAPM, in the famous 1973 Black-Scholes paper). `Fat tails' (known and largely ignored since Mandelbrot, 1962) and non-risk-neutral hedges, the frontiers of modern finance theory, are not discussed. Throwing the traditional `financial-engineering' bone in the direction of fat tails, implied volatility is discussed because in practice fat tails can't any longer be ignored. All in all, the book is recommendable to physics grad. students who want to learn finance terminology along with the main (wrong) ideas believed by the finance theory community. As an example of the book's weaknesses, the authors assume that the vague, undefined notion of `fundamental value' makes sense, and that liquid markets are in some vague, undefined sense `efficient' although the notion of a relaxation time is never mentioned. Typical finance theorists' shortcomings aside, this book can profitably be read before (or at least parallel with) Hull and other harder texts on derivatives. Liars' Poker and Fiasco can also be read profitably in parallel with this book. No knowledge of neo-classical ('marginal utility') econ (as is excesively taught in Samuelson's standard text) is required, and is at any rate is useless for finance theory/practice.

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[E891.Ebook] Download The Art of Rocksteady’s Batman: Arkham Asylum, Arkham City & Arkham Knight, by Daniel Wallace, Rocksteady Studios

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This book is the first official look behind the scenes of one of the most critically acclaimed and bestselling video-game franchises of all time. Collecting the best character sketches, concept art, background paintings, and more from all three of Rocksteady Studios' Arkham games—Arkham Asylum, Arkham City, and Arkham Knight—The Art of Rocksteady Studios' Batman takes fans through every stage of the creative process. Key creative and development talent offer commentary through exclusive interviews, making the book a definitive look back at seven years of gaming innovation that have helped reimagine the Batman mythos in yet another iconic incarnation.�

TM & (c) DC Comics. (s15)

��

• Sales Rank: #106165 in Books
• Published on: 2015-07-07
• Released on: 2015-07-07
• Original language: English
• Number of items: 1
• Dimensions: 11.88" h x 1.25" w x 9.25" l,
• Binding: Hardcover
• 304 pages

Review
“The new book . . . provides insight into the creative process behind the groundbreaking games.” (Yahoo! Celebrity)

“An engrossing and comprehensive look into the Joker's favorite activity: gaming the Bat.” (The Creators Project)

About the Author
Daniel Wallace�is the author of many books, including�The Joker:�A Visual History of the Clown Prince of Crime,�Batman:�The World of the Dark Knight,�Star Wars:�The Jedi Path.�and�Book of Sith. He currently lives in Minneapolis.

Most helpful customer reviews

0 of 0 people found the following review helpful.
You're better off getting the small artbooks that came with the ...
By Car1521
You're better off getting the small artbooks that came with the deluxe editions of the games. Those have more concept art than this book does. I wouldve liked more character concepts in the book. It only gives a few,and most of the time its the finished product, not much concept. There are tons of environment art in the book if you're into that.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Nice book

21 of 22 people found the following review helpful.
Nice companion to the 3 Batman Arkham games
By Parka
[[VIDEOID:4632fc49e4d1d4dc7bb70b53d3caa918]]Here's the ultimate artbook companion to the Arkham games and it's well worth the wait.

This hardcover book comes in at 304 pages. It's big and heavy.

The book covers all the three Arkham games namely Arkham Asylum, Arkham City, and Arkham Knight.

When I first played Arkham Asylum, I was taken in by the details of the design of the environment and the overall mood. It felt really immersive.

Now we have an artbook that goes behind the scenes to show you what it took to create the games. There are over hundreds of artworks, the concept art that comes in form of sketches, character designs, digital paintings, environment layouts and 3D stills from the game. The artworks are reproduced big and look great. There are things like 3D renders of Arkham Asylum, paintings of streets in Arkham City, props and many more.

I like the art direction for the game. It visually departs from the usual comic style art associated with DC comics. Somehow, the game just makes the world feels more real, just like how the games also let you experience what it's like to be running around in the Arkham universe, or as they call it the Arkhamverse in the book.

There's quite a good amount of commentary and interviews to go with the art. There are creators of the game talking about the design of the game, the characters and the production. There's also a one page writeup on the programming aspect of the game. Overall, it's an insightful read and helps you understand more about the world.

There are some downsides. Arkham City's coverage only has 55 pages while the other two games were given over hundreds of pages each. Not all the enemy characters are included. Would have been good even more enemies, even the miscellaneous ones could be shown. Art from Arkham Knight felt restricted even though there are over hundred pages of content because the book's holding back on the spoilers, the bad guys. They only used game stills (three) for Mr Arkham Knight himself and one piece of concept art. And finally some might prefer less game stills and more art. Anyway it's a small proportion of game stills compared to art, just that some of those stills are blown to double pages.

It's a good book that should appeal to the fans despite the downsides.

(See more pictures of the book on my blog. Just visit my Amazon profile for the link.)

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The Art of Rocksteady’s Batman: Arkham Asylum, Arkham City & Arkham Knight, by Daniel Wallace, Rocksteady Studios PDF

The Art of Rocksteady’s Batman: Arkham Asylum, Arkham City & Arkham Knight, by Daniel Wallace, Rocksteady Studios PDF

The Art of Rocksteady’s Batman: Arkham Asylum, Arkham City & Arkham Knight, by Daniel Wallace, Rocksteady Studios PDF