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New Moon (The Twilight Saga), by Stephenie Meyer

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Legions of readers entranced by Twilight are hungry for more and they won't be disappointed. In New Moon, Stephenie Meyer delivers another irresistible combination of romance and suspense with a supernatural twist. The "star-crossed" lovers theme continues as Bella and Edward find themselves facing new obstacles, including a devastating separation, the mysterious appearance of dangerous wolves roaming the forest in Forks, a terrifying threat of revenge from a female vampire and a deliciously sinister encounter with Italy's reigning royal family of vampires, the Volturi. Passionate, riveting, and full of surprising twists and turns, this vampire love saga is well on its way to literary immortality.

• Sales Rank: #9996 in Books
• Brand: Little, Brown Books for Young Readers
• Published on: 2008-05-31
• Released on: 2008-05-31
• Ingredients: Example Ingredients
• Format: Deluxe Edition
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 1.50" w x 5.50" l, 1.15 pounds
• Binding: Paperback
• 563 pages

Features

• Book 2 of The Twilight Saga Collection

From School Library Journal
Grade 9 Up–Recovered from the vampire attack that hospitalized her in the conclusion of Twilight (Little, Brown, 2005), Bella celebrates her birthday with her boyfriend Edward and his family, a unique clan of vampires that has sworn off human blood. But the celebration abruptly ends when the teen accidentally cuts her arm on broken glass. The sight and smell of her blood trickling away forces the Cullen family to retreat lest they be tempted to make a meal of her. After all is mended, Edward, realizing the danger that he and his family create for Bella, sees no option for her safety but to leave. Mourning his departure, she slips into a downward spiral of depression that penetrates and lingers over her every step. Vampire fans will appreciate the subsequently dour mood that permeates the novel, and it's not until Bella befriends Jacob, a sophomore from her school with a penchant for motorcycles, that both the pace and her disposition begin to take off. Their adventures are wild, dare-devilish, and teeter on the brink of romance, but memories of Edward pervade Bella's emotions, and soon their fun quickly morphs into danger, especially when she uncovers the true identities of Jacob and his pack of friends. Less streamlined than Twilight yet just as exciting, New Moon will more than feed the bloodthirsty hankerings of fans of the first volume and leave them breathless for the third.–Hillias J. Martin, New York Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Gr. 8-11. "Which is tempting you more, my blood or my body?" Things are heating up between Bella Swan and her vampire boyfriend, Edward Cullen, in this sequel to the immensely popular Twilight (2005). Then Bella is injured at her birthday party, and the Cullens' reaction to her blood sends Edward's family packing. Bella is inconsolable until she discovers that reckless behavior allows her to hear Edward's warning voice in her head. To keep him close, she decides to live as dangerously as possible, acquiring two motorcycles and developing a close friendship with Jacob, who helps her rebuild them. Romantics will miss Edward's presence, but the suspense created by a pack of werewolves bent on protecting Bella from a vindictive vampire will keep them occupied until the lovers can be reunited. The writing is a bit melodramatic, but readers won't care. Bella's dismay at being ordinary (after all, she's only human) will strike a chord even among girls who have no desire to be immortal, and like the vampires who watch Bella bleed with "fevered eyes," teens will relish this new adventure and hunger for more. Cindy Dobrez
Copyright © American Library Association. All rights reserved

Review
All is not well between demon-magnet Bella and Edward Cullen, her vampire Romeo. An innocent papercut at Edward's house puts Bella in grave danger when various members of the Cullen family can barely resist their hunger at the smell of blood. The Cullens promptly leave town, afraid of endangering Edward's beloved, and Bella sinks into an overwhelming depression. Months later, she finally emerges from her funk to rebuild her life, focusing on her friendship with besotted teen Jacob from the reservation. Bella's unhealthy enthrallment to Edward leads her into dangerous and self-destructive behavior despite her new friends, and supernatural complications are bound to reappear. Bella's being hunted by an evil vampire, and Jacob's adolescent male rage turns out to be incipient lycanthropy: It seems many Quileute Indians become werewolves in the presence of vampires, their natural enemies. Psychic miscommunications and angst-ridden dramatic gestures lead to an exciting page-turner of a conclusion drenched in the best of Gothic romantic excess. Despite Bella's flat and obsessive personality, this tale of tortured demon lovers entices. (Fantasy. 13-16) (Kirkus Reviews)

Most helpful customer reviews

3 of 3 people found the following review helpful.
I now understand why Team Jacob vs. Team Edward came about.
By Trish (I read too much!)
New Moon picks up while Bella is well on her way to recovery from the events that ended Twilight, but after an accident that reminds everyone that, yes, Bella is human and, yes, Edward and his family are indeed vampires, Edward becomes more and more distracted by his concerns for her continued safety. When he decides that the only way to protect Bella is to remove himself from her life entirely, Bella suffers from a major breakdown.

The budding friendship between Bella and Jacob draws her out of a deep depression. Despite her lack of romantic interest in him, she leads him on, afraid of falling back into her slump. She tries to be honest and tell him that she's stuck on Edward, but can't help but tell him that she also wants him to keep trying. It's kind of a flaky, selfish thing to do, not exactly endearing. The whole thing left me feeling sorry for poor Jacob.

But despite all that, I felt myself mourning with her. It's easy to say that she shouldn't have fallen apart so much over a guy, but then again, she didn't just lose him, she lost a family and a new sister, Alice. To have so much, love, family, acceptance and perhaps even the promise of immortality, and then to lose all of it all at once, how could she not have fallen apart? Do I agree with how she deals with it? No. Do I empathize? Yes.

As for Jacob, we get to know him in this story, and he has to be one of the most interesting characters so far. With Edward out of the picture, it's difficult not to root for him. He's the ultimate good guy: kind, funny and supportive. He knows Bella is broken, but wants nothing more than to make her happy and perhaps find a place in her heart. And then there's the whole werewolf thing. Kind of hard to court a girl, especially one like Bella, when you keep turning into a wolf everytime you're angry or jealous. I think it's ironic that he, like Edward before him, believes the only safe option for Bella is to stay away. She just can't seem to catch a break.

Besides all the drama, there is a good deal of humor sprinkled through the story, and horror as well. The Volturi are creepy, the encounter with them terrifying. The whole scene kept me up way late. I probably shouldn't have tried to read that chapter right before bed, not good for your peace of mind.

Overall, I loved this book, love triangle and all. Jacob is really the star of this one, and I can totally get why some people would tend to take his side. Then again, it's hard to argue against Edward, flaws and all. He is obviously Bella's soul mate, whatever that's worth. No matter how good Jacob would be for Bella, her heart belongs to Edward, and honestly I don't think Bella's right for Jacob.

I'd recommend this book to those who like YA romance, particularly with love triangles, werewolves, and vampires. It compares pretty closely with the movie of the same name, which I must admit I watched first. I thought it was fantastic that the movie was able to so vividly bring the book to life, and so accurately, which I didn't realize until I finished reading New Moon.

1 of 1 people found the following review helpful.
Revived my excitement, but smelt like a wet dog in places.
By Casey Carlisle
Continuing with my journey to revisit the Twilight saga story again in graphic novel form, New Moon Part 1 gave me a lonely, fragile, yet funny version of Bella.

The illustrations were great, but lacked the climatic effect that the two Twilight volumes did. Most of the graphics were black and white with the exception of two or three short scenes. This volume lacked to capture the tone as effectively as I have come to expect. After Bella discovers Edward has left, I wanted to see her state of mind reflected more in the artwork, but this aspect of the story was glossed over. For something that impacted me so heavily in the novel and film versions, I was left feeling let down. The black and white drawn in grey shades, when I’d have liked it to be represented more visually desperate than a white-wash treatment.

With that said, I still liked the darkness – the more sinister aspects of the storyline: the wolves, Laurent, Victoria. While the movies only hinted at this, in the novel it was meant to make you feel uncomfortable, or in the least, shiver. The artwork here captures the impact more in the tone of the novel, and I enjoyed getting more tension for Bella than I had from the film franchise.

Though, my favourite pages from this volume would have to be the end pages, which I feel really captured the soul of the first half of New Moon – desolate, haunting and dark.

So while I appreciated the artwork, the story felt flat. Admittedly there was a lot of detail in there that I did not expect, but there was something about it that failed to punch in its weight class. Possibly because some of my expectations went unmet.

Really looking forward to Volume 2 later this year. And upon searching the internet, it doesn’t appear Young Kim is continuing with the series. Sad. I’d really like to see where her illustrations could have taken the saga.

2 of 2 people found the following review helpful.
"'Hahaha," she laughed.' Really? That is considered good writing?
By Esmund Kerr
Terribly written.
Misused semicolons, inappropriate and strange comma placing, contradictory verb tense agreement, dialogue worse than a B movie, absolutely no character depth, no character motivation, things happen for no reason, and the very worst is her prose. Sure, Twilight gets people reading so I'll praise Meyer for that, but she also may have just made an entire generation dumber.

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[X695.Ebook] Free PDF Language Development: Foundations, Processes, And Clinical Applications, by Nina Capone Singleton, Brian B. Shulman

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Language Development: Foundations, Processes, and Clinical Applications, Second Edition provides an accessible overview of language development covering the typical course of language development within the clinical context of language assessment and intervention. The Second Edition examines the biological, developmental, and environmental systems of neurotypical children, and the role of these systems as linguistic input in the child’s environment contributing to language development. This comprehensive resource, written and contributed by over 20 experts in the field, provides students with an understanding of the foundations of language development in terms of each individual child’s communication needs. With case studies woven throughout the text, students are able to follow the progress of children with normal language development as well as those showing signs of problems. These cases and clinical practice applications will help students prepare for the clinical challenges they will face in their professional careers. Every year, new information, new theories, and new evidence are published about development to explain the complexities that create and facilitate the language acquisition process. The authors who have contributed to this text provide the latest research and perspectives on language development among neurotypical children. This valuable text bridges biological, environmental, technological, and professional venues to advance the development of professionals and children alike. What’s new in the Second Edition? • New chapter on syntactic development including morphology • New chapter covering school-age language • New case study highlighting school-age language • Expanded content on morphology including morphological analysis Instructor Resources: PowerPoint Presentations, Test Bank Student Resources: Companion Website Every new copy of the text includes an access code for the companion website. eBook offerings do not include an access code.

• Sales Rank: #305634 in Books
• Brand: Brand: Jones Bartlett Learning
• Published on: 2013-04-29
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.00" w x 8.00" l, .0 pounds
• Binding: Hardcover
• 344 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
Poor
By m
The book was packed with information however there were minimal illustrations. Also the vocabulary was hard to find. The information was useful but the book was written poorly.

0 of 0 people found the following review helpful.
renting from amazon
By raye
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0 of 0 people found the following review helpful.
Five Stars
By Alexis
perfect!

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[Y594.Ebook] Get Free Ebook The Suspense Thriller: Films in the Shadow of Alfred Hitchcock (McFarland Classics), by Charles Derry

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Charles Derry's study of the suspense thriller genre explains why human beings enjoy being scared in a vicarious sense. He shows how suspense is intimately connected with the psychological concept of the thrill.

• Sales Rank: #872658 in Books
• Brand: Brand: McFarland n Company
• Published on: 2001-09-01
• Original language: English
• Number of items: 1
• Dimensions: 8.92" h x .75" w x 6.03" l, 1.08 pounds
• Binding: Paperback
• 360 pages

Features

• Used Book in Good Condition

From Library Journal
Derry, a professor of cinema, here presents a detailed analysis of the suspense film, using Hitchcock's many top-shelf productions as the standard. Providing numerous references, he both defines just what makes a suspense film from the plot to the characters and subcategorizes the genre, e.g., "murderous passions," "the political thriller," "acquired identity," "the innocent on the run," etc. This 1988 title remains a solid choice for public and academic film collections.
Copyright 2002 Reed Business Information, Inc.

Review
"an intelligent analysis of the genre"--Burlington County Times

About the Author
Charles Derry is a member of the Society for Cinema Studies and teaches at Wright State University in Dayton, Ohio, where he is the Coordinator of the Film Studies Program. He has also written on popular culture, melodrama, and soap opera.

Most helpful customer reviews

2 of 3 people found the following review helpful.
An Excellent Teaching Tool
By Accidental Tourist
Charles Derry masterfully explaines the various genres of suspense and thrillers in a clear, clean cut book that will open your eyes to the true mystery of mysterys, and the suspense thriller.

A great teaching tool.

0 of 0 people found the following review helpful.
Three Stars
By gerry d
Overall the book is fine, but too much highlighting throughout.

2 of 4 people found the following review helpful.
A work of PURE GENIUS!!!
By Amazon Customer
A must read for any filmmaker serious about their craft.

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[J535.Ebook] Fee Download New Commentary on the Code of Canon Law: Study Edition, by John P. Beal

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Now in paperback! Here is an entirely new and comprehensive commentary by canon lawyers from North America and Europe, with a revised English translation of the Code. It reflects the enormous developments in canon law since the publication of the original commentary.

New features:

o A focus on the lived experience of the Latin Church since the promulgation of the 1983 Code
o Inclusion of significant canonical developments made since 1983 by the Council for the Interpretation of Legislative Texts, as well as recent Papal statements
o An accounting of disputed canonical questions such as lay exercises of jurisdiction
o An effort to take into consideration the 1990 Eastern Code
o An effort to engage other commentaries on the 1983 code that have been published since its promulgation

An indispensable pastoral reference work, this book belongs in every parish, rectory, university and seminary library.

First Place Winner, Reference Books category, 2001 CPA Awards

• Sales Rank: #472244 in Books
• Published on: 2002-01-01
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x 2.50" w x 7.50" l, 6.40 pounds
• Binding: Paperback
• 1984 pages

Features

• Second Vatican Council
• Church Law
• Pauline and Petrine privileges
• Marriage
• Roman curia

Review
Clearly an invaluable tool. -- The Jurist

Invaluable to understanding any number of Church issues. This volume is an essential reference work. -- Liturgical Ministry

The commentary is not so much valuable as indispensable. -- Ecclesiastical Law Journal

This commentary should be in the library of every major religious institute in the English-speaking world. -- Review for Religious

Well-bound, beautifully produced, and easy to consult. --Theological Studies

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By a rose by any other name
text for class

6 of 7 people found the following review helpful.
Incredible resource
By Michael R. Mateyk
Wow. What a great commentary. There is so much here that I have an even stronger appreciation for canon law than I did before. I am studying to be a priest and this book is really proving to be invaluable. And this is proving to be an invaluable help. There is history of the code, comparisons with the 1917 code and the code of the Eastern church. Really indepth and almost too much...almost.

3 of 3 people found the following review helpful.
New Commentary on the Code of Canon Law
By Charlie
This is an excellent book to explain the Code of Canon Law and we will get much use from it.
It is a big, heavy book with much commentary.

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[U476.Ebook] PDF Ebook The History of Keyboard Music to 1700, by Willi Apel

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This classic work has served a generation of pianists, organists, and harpsichordists and remains a necessity for every serious keyboard musician today. It is a detailed chronological survey from the 14th century to the end of the 17th. Beginning with the earliest sources, Professor Apel examines national styles and individual composers as well as the careers of the many evolving musical forms and instruments. Much of the material is organized by period and by national style areas - from Poland to Portugal. A monument of scholarship, this indispensable reference work is also remarkably user-friendly and engagingly written throughout.

• Sales Rank: #1647048 in Books
• Brand: Brand: Indiana University Press
• Published on: 1972-01-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.48" h x 2.13" w x 6.68" l,
• Binding: Hardcover
• 896 pages

Features

• Used Book in Good Condition

Language Notes
Text: English, German (translation)

Most helpful customer reviews

0 of 0 people found the following review helpful.
A must have resource for the serious keyboard player!
By Dr. Marie Jureit-Beamish
One of the best resources for an overview of the enormous body of keyboard music of over 300 years. It is worth the expense!

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Walter De Maria’s Lightning Field (1977), one of the twentieth century’s most significant works of art, is situated in a remote area in western New Mexico. It comprises four hundred polished stainless-steel poles (spaced 220 feet apart) installed in a grid measuring one mile by one kilometer. Critic Kenneth Baker visited The Lightning Field numerous times over the course of the past thirty years. Inspired and challenged by this remarkable artwork, Baker speculates in this book on the course of our contemporary human condition. He weaves citations and elegantly crafted prose—in a metaphorical parallel to De Maria’s choreographing of the vast landscape of the American Southwest—to create a compelling and moving text.

• Sales Rank: #953317 in eBooks
• Published on: 2012-05-01
• Released on: 2012-05-01
• Format: Kindle eBook

About the Author

Kenneth Baker is art critic for the San Francisco Chronicle. Lynne Cooke is curator at Dia Art Foundation.

Most helpful customer reviews

3 of 3 people found the following review helpful.
the lightning field by k. baker
By Chester Arnold
This is most unusual book-pairing thoughtful, poetic essays bracketing a period of several decades with only one photograph- the most personal and deeply felt critical thinking I have read about a milestone 20th century work by a gifted thinker and writer.

2 of 4 people found the following review helpful.
Singed
By R. B. Cathcart
I love Landart and De Maria's artwork "The Lightning Field" is one of the best examples. Baker's book is not worthwhile reading! The garrulous San Franciscan put together this preachy rant and utterly ignored the artwork. That is, Baker lets loose with his opinions on life, the world and everything by using a famous artwork created by a Landart genius. With sadness, I cannot reccommend Baker's book on a subject he obviously never ever really communed with.

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[Y922.Ebook] Download Foreign Policy Analysis: Classic and Contemporary Theory, by Valerie M. Hudson

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This succinct yet comprehensive introduction is the first text to gear foreign policy analysis (FPA) theory toward advanced undergraduate and beginning graduate students. Cogently written, clearly organized, and filled with illuminating examples, the second edition has now been thoroughly revised and updated. Beginning with an overview of this broad field of study, Valerie M. Hudson then considers theory and research at multiple levels of analysis, including personality and psychology of foreign policy decision makers and decision making, small group dynamics, the organizational process, bureaucratic politics, domestic politics, cultural and societal influences on foreign policy, national attributes, and system-level effects on foreign policy. In a new chapter, the author also examines the promise and frustration of theoretical integration in FPA and overviews promising new work by non–North American scholars. She concludes with an analysis of where the next generation of foreign policy scholars can make important contributions to the field.

• Sales Rank: #841399 in Books
• Published on: 2013-12-16
• Released on: 2013-12-16
• Original language: English
• Number of items: 1
• Dimensions: 9.07" h x .65" w x 5.85" l, .85 pounds
• Binding: Paperback
• 266 pages

About the Author
Valerie M. Hudson is professor and George H. W. Bush Chair at the Bush School of Government and Public Service at Texas A&M University.

Most helpful customer reviews

0 of 0 people found the following review helpful.
easy to read
By Georgios
Well writen, easy to read!! Must have.

0 of 1 people found the following review helpful.
I really love this book maybe because I am interested on FPA
By ABH
I really love this book maybe because I am interested on FPA. I think this is a must to have in your collection. Further analyses from classics are really good within this book.

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[J970.Ebook] Download PDF Design Principles for Process-driven Architectures Using Oracle BPM and SOA Suite 12c, by Matjaz B. Juric, Sven Bernhardt, Hajo Normann, D

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This book is a design handbook and provides skills to successfully design, implement, and optimize business processes on top of SOA. Starting with business process modeling, it shows design principles to architect sound process architectures. It presents best practices for modeling business processes using BPMN, together with design principles for services and composite applications. It provides detailed coverage of how to prepare business processes for execution. An in-depth explanation of human interactions is given and also principles and best practices for using rules.

Moving on, Adaptive Case Management principles are explained, along with the reach of business processes to mobile devices and ensuring multichannel interactions. Business activity monitoring, event-driven architectures, complex event processing in relation to business processes, and enabling integration with events and IoT devices are explained. The design principles and best practices are demonstrated in a practical way on a rental car use case.

• Sales Rank: #1508951 in eBooks
• Published on: 2015-06-29
• Released on: 2015-06-29
• Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good source of knowledge about hot BPM architecture topics.
By Remigiusz
I was very excited buying the book; I must say it has satisfied my expectations.
It is a good source of knowledge about practical approach to BPM architecture.
Especially I like the chapters describing the enterprise BPM.
However there are some issues that make book not a perfect one.
Some chapters are written without proper text review. Looks like authors do not have enough time to finish them. The illustrations/diagrams might be better design and more carefully named.
Instead of describing BPMN basics I would prefer to read about the modelling used by authors for their BPM projects.
I cannot find connections to Oracle Reference Architecture [ORA] for BPM. I think the authors should to rather extend ORA then re-invent something by their own.

I am waiting for second revised edition.
I should contain the Oracle new approach to cloud especially PCS and ICS.

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[I656.Ebook] Ebook The Three Theban Plays: Antigone; Oedipus the King; Oedipus at Colonus, by Sophocles

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The heroic Greek dramas that have moved theatergoers and readers since the fifth century B.C.

Towering over the rest of Greek tragedy, the three plays that tell the story of the fated Theban royal family—Antigone, Oedipus the King�and�Oedipus at Colonus—are among the most enduring and timeless dramas ever written. Robert Fagles's authoritative and acclaimed translation conveys all of Sophocles's lucidity and power: the cut and thrust of his dialogue, his ironic edge, the surge and majesty of his choruses and, above all, the agonies and triumphs of his characters.�This Penguin Classics edition features an introduction and notes by the renowned classicist Bernard Knox.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700�titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the�series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date�translations by award-winning translators.

• Sales Rank: #1142 in Books
• Color: Black
• Brand: Penguin Classics
• Published on: 2000-01-03
• Released on: 1984-02-07
• Original language: English
• Number of items: 1
• Dimensions: 7.80" h x .70" w x 5.00" l, .68 pounds
• Binding: Paperback
• 430 pages

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• Great product!

Amazon.com Review
Aristotle called "Oedipus The King," the second-written of the three Theban plays written by Sophocles, the masterpiece of the whole of Greek theater. Today, nearly 2,500 years after Sophocles wrote, scholars and audiences still consider it one of the most powerful dramatic works ever made. Freud sure did. The three plays--"Antigone," "Oedipus the King," and "Oedipus at Colonus"--are not strictly a trilogy, but all are based on the Theban myths that were old even in Sophocles' time. This particular edition was rendered by Robert Fagles, perhaps the best translator of the Greek classics into English.

Language Notes
Text: English, Greek (translation)

From the Back Cover
Three Theban Plays entitled Antigone, Oedipus the King, and Oedipus at Colonus.

Most helpful customer reviews

291 of 295 people found the following review helpful.
Translations
By S. Allen
Researching translations is never an easy task, and in this case, where you'll have to search on Amazon for the title and the translator to find what you want, it's particularly difficult.

Here's what I've found by comparing several editions:

1. David Grene translation: Seems to be accurate, yet not unwieldy as such. My pick. Language is used precisely, but not to the point where it's barely in English.

2. Fitts/Fitzgerald translation: Excellent as well, though a little less smooth than the Grene one. Certainly not a bad pick.

3. Fagles translation: Beautiful. Not accurate. If you are looking for the smoothest English version, there's no doubt that this is it. That said, because he is looser with the translation, some ideas might be lost. For instance, in Antigone, in the beginning, Antigone discusses how law compels her to bury her brother despite Creon's edict. In Fagles, the "law" concept is lost in "military honors" when discussing the burial of Eteocles. This whole notion of obeying positive law or natural law is very important, but you wouldn't know it from Fagles. In Grene, for example, it is translated to "lawful rites."

4. Gibbons and Segal: Looks great, but right now the book has only Antigone (and not the rest of the trilogy) and costs almost 3x as much. I'll pass. But, from a cursory review, I'm impressed with their work.

5. MacDonald: This edition received some good write-ups, but I wasn't able to do a direct passage-to-passage comparison.

6. Woodruff: NO, NO, NO. Just NO. It's so colloquial it makes me gag. Very accessible, but the modernization of the language is just so extreme as to make it almost laughable. You don't get any sense of the power of language in the play. You just get the story. If you want this to be an easy read, then get Fagles, not this.

7. Kitto: Looks good, though not particularly compelling over either Grene or Fitzgerald (or Gibbons if I wanted to pay so much more).

8. Roche: Practically unreadable the English is so convoluted. Might be the most literal translation, but what's the point unless you are learning Greek and want such a direct translation.

9. Taylor: Way too wordy. Might be more literal, but again, why?

Hope this all helps. Translations can make or break the accessibility of literature. Pick wisely.

75 of 80 people found the following review helpful.
Great plays, very good translation, but...
By Christopher H. Hodgkin
There's not much to say about these plays that hasn't been said over the last 2,500 years except, read them. More than once. More than twice.

As to the Fagles translation, as with most of his translations it is very smooth, almost lyrical, quite appealing. But he takes more liberties than I really like a translator to take. You are not reading as close as possible a rendition of what Sophocles actually wrote; rather, Fagles is somewhere between translation and retelling. For the average reader this may be fine, but don't think you're getting pure Sophocles, or as pure as is possible with a translation.

If all you want is an enjoyable read that is reasonably close to what Sophocles wrote, Fagles is fine. For more scholarly accuracy, try the translations by Greene, Fitzgerald, or Wyckoff. For a very good set of alternate translations which have as much fluidity as Fagles and a bit more faithfulness to the original, try the Fitts/Fitzgerald translations.

One benefit to the Fagles translation is the introductions by Knox, which are excellent (nearly as good as his superb introduction to Fagles' Odyssey).

One detriment, for me, is that the volume presents the plays in the order they were written, not in the order of the (relatively) unified story which they present. (It's sort of like reading Shakespeare's Henry VI plays before his Henry IV and V plays; that's the order he wrote them in, but the Henry V and VI plays make more sense if you've read the Henry IV plays first.) I accept that Sophocles didn't write these as a trilogy (as many Greek play sets were), but still, I think for the reader previously unfamiliar with them or their history and simply reading them in the order presented (perhaps a reader who doesn't start by reading all the introductions, but plunges straight into the plays), I think it's a bad decision.

All in all, a fine choice of a translation, but not the only fine choice. But definitely read these plays, choosing whatever translation you prefer (unless, of course, you can read them in the original Greek!)

25 of 25 people found the following review helpful.
Translation isn't transliteration
By Kerry Walters
I try to reread Sophocles every few years, both because I enjoy him and because I find him a moral tonic. Since I can only haltingly stumble through his Greek, I always read translations, and I read a different translation each time.

When one reads a translated literary work, one is reading a piece of literature that, in a manner of speaking, is "co-authored." Translation isn't, can't, and oughtn't to be a mechanically isomorphic transliteration of the original text. Translators--good ones, anyway--are artists in their own right. The choices they make in deciding how best to render the original text reflects not only their own creative sensitivity, but also their cultural context. Different translators, because of the variability of their temperaments, talents, and times, focus on different inflections. (In this regard, they're not unlike stage directors, who also "co-author" the plays they present.) So one never reads Sophocles, unless one reads the original Greek. One always reads Fagles' Sophocles, or Fitzgerald's Sophocles, or X's Sophocles.

I think Fagles and Sophocles make a marvelous collaboration. In fact, I like this translation better than any other I've read over the past half-century (and I've liked some others very much). Fagles has the soul of a poet (his volume of poems, I, Vincent, is very good indeed), and his rendering of "Antigone" and "Oedipus the King" are especially fine. Like all translators, he has a spin that mirrors the fears and hopes of his own time. In Fagles' case, it's what the existentialists would call nausea or anxiety over the absurd contingency of existence. For example, Oedipus the King [1442], after learning of his unhappy fate:

...the agony! I am agony--
where am I going? where on earth?
where does all this agony hurl me?
where's my voice?
winging, swept away on a dark tide--
My destiny, my dark power, what a leap you made!

What more could one ask of a translator than that s/he remain loyal to the ancient text being interpreted while rendering it in such a way as to speak to contemporary readers? For translators aren't transliterators or transcribers. They're not secretaries. They're artists.

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[A695.Ebook] Free PDF Neues Museum, Berlin: David Chipperfield Architects in Collaboration with Julian Harrap. Photographed

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This book documents David Chipperfield's most important project to date: the Neues Museum, centerpiece of the Berlin Museumsinsel. Photographs taken in natural light by Candida H�fer show the rooms after their completion and before they were furnished. H�fer's images are complemented by texts from well-known architects, architectural historians, art historians and conservation architects highlighting the fundamental principles of the project. An interview with David Chipperfield gives insight into the problems surrounding the work.

• Sales Rank: #439992 in Books
• Published on: 2010-02-28
• Original language: English
• Number of items: 1
• Dimensions: .70" h x 6.80" w x 9.40" l, 1.55 pounds
• Binding: Paperback
• 288 pages

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0 of 1 people found the following review helpful.
a good project but, ....
By Alex
It is a good project and a job well done. But, it is questionable whether this is a good book or documentation of the project. I don't think so. There are more critical essays than I had expected, which is great. But, the project itself should be documented better. Drawing qualities and photographs are a bit disappointing.

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