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A Doll's House (Dover Thrift Editions), by Henrik Ibsen
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One of the best-known, most frequently performed of modern plays, A Doll's House richly displays the genius with which Henrik Ibsen pioneered modern, realistic prose drama. In the central character of Nora, Ibsen epitomized the human struggle against the humiliating constraints of social conformity. Nora's ultimate rejection of a smothering marriage and life in "a doll's house" shocked theatergoers of the late 1800s and opened new horizons for playwrights and their audiences.
But daring social themes are only one aspect of Ibsen's power as a dramatist. A Doll's House shows as well his gifts for creating realistic dialogue, a suspenseful flow of events and, above all, psychologically penetrating characterizations that make the struggles of his dramatic personages utterly convincing. Here is a deeply absorbing play as readable as it is eminently playable, reprinted from an authoritative translation.
A selection of the Common Core State Standards Initiative.
- Sales Rank: #11037 in Books
- Brand: Dover Publications
- Published on: 1992-02-21
- Released on: 1992-02-21
- Original language: English
- Number of items: 1
- Dimensions: 8.28" h x .20" w x 5.26" l, .7 pounds
- Binding: Paperback
- 80 pages
- Great product!
Review
Maybe it's Nicholas Rudall's new translation. Maybe it's a matter of the gods. I couldn't put [A Doll's House] down. It's tight, and terse―reads like a fine short novel. (Lolita Lark The Review of Arts, Literature, Philosophy and the Humanities)
Language Notes
Text: English (translation)
Original Language: Norwegian
From the Back Cover
One of the best-known, most frequently performed of modern plays, A Doll's House richly displays the genius with which Henrik Ibsen pioneered modern, realistic prose drama. In the central character of Nora, Ibsen epitomized the human struggle against the humiliating constraints of social conformity. Nora's ultimate rejection of a smothering marriage and life in "a doll's house" shocked theatergoers of the late 1800s and opened new horizons for playwrights and their audiences.
But daring social themes are only one aspect of Ibsen's power as a dramatist. A Doll's House shows as well his gifts for creating realistic dialogue, a suspenseful flow of events and, above all, psychologically penetrating characterizations that make the struggles of his dramatic personages utterly convincing. Here is a deeply absorbing play as readable as it is eminently playable, reprinted from an authoritative translation.
Most helpful customer reviews
4 of 4 people found the following review helpful.
A separate identity...
By John P. Jones III
This play was a high school reading assignment lo' those many years ago, and as with some other similar assignments, I've undertaken an initiative to re-read them, and consider how the book (as well as I) might have aged in the intervening decades. If fussy memory serves me correctly, I appreciated this play the first time around, and hopefully incorporated some of its messages into my thinking.
Henrik Ibsen was the leading Norwegian playwright of the 19th century. This play was first produced in 1879. It is still one of the most popular, and performed plays in the world today. Certainly tame by today's "shock" standards, purportedly it did shock many in the audience when it was first produced, due to its scathing portrait of the staid bourgeois views of the role of women in society and marriage. In brief, not just subordinate, but rather a mere appendage to their father's, at first, beliefs and actions, which would later prepare them for the same role serving their husband. Scandinavia was, and often remains, in the forefront in terms of progressive social ideas and legislation. As one of my Swedish friends would quip: "Sweden is a moral superpower."
The two principal characters are Torvald Helmer and his wife, Nora. There are several supporting characters, including Dr. Rank, a family doctor who is ill, Mrs. Linde an old school friend of Nora's, and Nils Krogstad, a bank employee, who is also much else. Money, and the lack thereof, is the catalyst for much of the action. Just when Torvald's promotion to bank manager seems to resolve the money issue, the "sins of the past" revisit the Helmer's with a vengence.
Ibsen's portrait of Torvald is one of a man who is insufferably pompous, with very fixed ideas on propriety, and his wife's role as a helpless, not to bright, child. This is no marriage of "soul mates," as the expression has it, for marriages of more recent vintage. Torvald views Nora as a "doll," hence the title. He is also utterly selfish, viewing events only from his perspective, and not how they might have impacted his wife. The audience plays the part of the ancient Greek chorus, realizing how much Nora has actually done for Torvald, without his knowledge. I still remember this portrait from my high school read, and the vow not to turn out the same way.
A few decades after this play was first produced, Virginia Woolf wrote her famous A Room of One's Own which had very similar themes. Ibsen though was the first, and the play's denouement, with Nora proclaiming to Torvald that she "needs a life of her own" and must determine who she really is, continues to resonate, almost a century and a half later. The play remains a 5-star read.
1 of 1 people found the following review helpful.
A Doll's House
By Julia Monson
Somehow, I never read this when I was in school. It seems the sort of book that teachers make you read.
All of the characters in the play are flawed. The way Helmer is so quick to condemn Nora, and then a few minutes later tells her he forgives her. Why would he think she would forgive him for saying so many horrible things? And for so much of the play, Nora seems to delight as being seen as a silly, flighty woman. This makes her speech at the end a little confusing. If she resents being treated that way, why act that way?
This was a quick read. I read it all in about one hour. I enjoyed reading it. The play gave me a lot to think about.
0 of 0 people found the following review helpful.
Excellent play
By Diana S. Long
Published in 1879, this 3 act play went against the established code of conduct for people living in the Victorian era. I thought the protagonist Nora was an excellent example of women of this time and full of surprises. The end was likely to raise more than a few eyebrows in the audience. It's to his credit that he didn't bow down to the critics and change the ending in the original play , although he didn't write an alternate ending because Germany refused to allow the play to be performed unless he did.
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